enter the spiral - the title of the opening track by the first collaborative work between sebastian mullaert and eitan reiter is not just a random name. it is a title which anticipates what can happen if you let yourself go alongside their nine epic musical trips.

in the universe, there are things that are known, and things that are unknown. and, in between, there are doors. having honed a clear and uncompromising sound, which has been flexed across all manner of tempos, and return to electric deluxe with their first full body of work: a sonic contemplation of the cosmos, woven with all their industrial tropes in tact.

total is babas debut album under his own name and his finest work to date. from the opening machine funk arpeggio of missing to the sanguine melancholia of closing hiphop beat discovery Ð new dawn, babas masterpiece rides through psychedelic screw-pop, minimalistic emo-acid and opiate-drenched coming-of-age ambient. as lucid and strong as it is obscure and beautiful, this is an album us folks at studio barnhus are immensely proud of presenting it to the world

6-page feature in the wire july 2014, featured on the hyperdub 10.3 compilation following up from the success of his emphatic pan releases dutch tvashar plumes and diversions 1994-1996 in 2012 (2 in facts albums of the year) pan is excited to announce koch (pronounced cotch), the new album from brummie/londoner lee gamble. sharing some stylistic affinity with his previous records, which excavated his deeply personal history with uk jungle and rave, and techno, this new work dives even deeper to reveal a singular and intimate musical vantage point, shifting to approaching music as projection, state,hallucination, an other place.

60 anthems auf drei cds mit einer spielzeit von źber 3 stunden! tracks und remixe kommen von u.a. avicii, calvin harris & alesso feat. hurts, swedish house mafia feat. pharell williams, armin van buuren feat. trevor guthrie, tiesto, disclosure feat. mary j blige, basement jaxx, route 94, mk, tensnake, masters at work, faithless, prodigy, chemical brothers und und und. value for money!

over the past couple of years, kellerkinds unique interpretation of house music has truly catapulted him out of the figurative basement and into the limelight. whether it was the disco-infused cool of backflash or the tribal rhythms found on his debut-album basement story, through hard work, rather than by miracle, marco biagini matured into a producer who is at the top of his game.

nice price - 3 cds inklusive der grš§ten latin house-dancefloor-anthems von u.a. sergio mendes & black eyed peas, jennifer lopez, bellini, basement jaxx, junior jack, tensnake feat. nile rodgers, masters at work, crystal waters, nina simone, alex gaudino, robin s u.v.a.!

system fork was designed around the principle of itamae, where ever detail was described and thought about before any work in the studio was done. this process took two years before a set of rules and principles were fully realised for the creative process in the studio.

with *my love is a bulldozer*, venetian snares first new album since 2010s *my so-called life*, aaron funk surprises yet again, drawing on new ideas and on moods that have only been touched upon in his previous work. the album seems to have a flowing sense of narrative, something akin to an opera, and unusually aaron sings songs on it, which reinforces the sense of an emotional journey. sonically he meshes together sometimes thunderous yet complex drum programming with delicate musical structures, creating, in places, a sense of haunted, atmospheric jazziness, as well as spiky autumnal strings recalling the gothic orchestral beauty of his previous work.

cocoon ibiza turns fifteen! finally, its summer and we cant wait to pack our bikinis and flip-flops again for our annual trip to the island

limited nice pricee - strictly rhythms praesentiert das neue 2 cd album geteilt in wax motif & neoteric go deep mix und wax motif & neoteric get down mix

naturally dana ruh - high quality hypno deep house

real jazz-funk with an hip hop attitude. as their band name says, they only play cover of dope gems. rare tracks from the late 70s and early 80s from ost or valuable vinyls

strut praesentiert hardcore traxx: dance mania records 1986-1997, die erste definitive retrospektive von chicagos wichtigstem housemusic label. das label half bei der etablierung des ghetto-house-sounds und repraesentierte die street level clubkultur in den neunziger jahren. es entstand als raue alternative zu trax und dj international mitte der 80er jahre

metal dance vol. 1 was resident advisor no. 1 compilation of 2012! ny times pick of 2012 this collection underscores the real romance of machines. mojo: thrilling foray into forward thinking post-punk electronica! trevor jackson (playgroup / underdog / output recordings) returns with the eagerly awaited second instalment of his metal dance compilation series this august, following widespread critical acclaim in the wake of volume 1. drawing from jacksons deep collection of original industrial, post-punk, ebm and new wave, the album is an inspired mix of sounds and styles, mining classics, dub versions, oddities and secret weapons inspired by his formative clubbing years at many of londons seminal nightlife haunts.

ob mit monsterproduktionen auf seinem eigenen label boysnoize records oder mit sensationellen dj-gigs vor tausenden tobenden fans, ob mit remixes fuer depeche mode und daft punk oder mit kooperationen mit kźnstlern wie snoop dogg und chilly gonzalez, boys noize hat sich einen legendenstatus erarbeitet und steht heute mit an der spitze der weltweit besten djs/produzenten. sein fabric-set aus ueberdrehtem techno, turbogeladenem electro und hochenergetischem jackin house ist zugleich lehrstunde und repraesentatives markenzeichen, eine frenetische raveparty aus 70 pulsierenden, schwei§treibenden minuten

jim coles has spent the past three years refining a unique sound as om unit via collaborations with machinedrum on planet mu, releases on goldies metalheadz, dbridges exit records and civil music, his own cosmic bridge label and the short-lived phillip d. kick alias that fleshed out the links between chicagos footwork, jungle and slow/fast. the confluence of all this work takes full flight on threads.

in der vergangenheit machte das trio vor allem durch zahlreiche singles/eps wie fall back oder two different ways von sich reden. nun zeichnen factory floor mit dem gleichnamigen debuetalbum eine momentaufnahme ihres schaffens

for the inaugural house masters release of 2013, we are proud to present a retrospective compilation celebrating the work of one of house musics true originals house masters charles webster! featuring 22 of his productions and remixes the compilation is almost entirely comprised of brand new reedits and remixes and previously unreleased material!

lets start with the italian ilario alicante and his dj-mix to get the immediate scoop of what makes this guy so special: we cannot describe it other than saying this mix rules! strong but relaxed at the same time with a good variation and xxl deepness in the selection makes this mix a great house-excursion. this is the sound of hot summer nights and happy people dancing til the morning. you can imagine this very special summer party vibe while listening to ilarios mix which incorporates the right elements such as emotional piano-breaks, cool vocal-samples, kicking house-beats and hypnotic basslines.

nearly three years after the release of his debut album lucky shiner, gold panda returns with his second album half of where you live, to be released on ghostly international and his own notown label (uk). the album is the product of a period spent touring the world multiple times around, absorbing influences and probing potential new avenues of creative exploration.

pier bucci and argenis brito fuse sun-kissed latin american rhythms with tropicana flavoured electronica - sun kissed? tropicana? sounds like a promo text! actually listening to this cd turned out to be pretty much fun - for the relaxing moments in life. a welcoming sublime mambotur - out of the club and under a daylight sky no less....impressive new work of mambotur, it has a special mood, well balanced between melancholy and festiveness, as a richer sound in terms of influences.

tricky is back. back with a new studio album, false idols, and his own label (also bearing the false idols name), but also back in a personal sense. i was lost for ages,he says. i was trying to prove something to people, trying to do something to please other people and also myself at the same time, which is never going to work. to be honest with you, ive been floating around since chris blackwell and island. my last two albums, i thought they were good, but i realise now they werent. this album is about me finding myself again.

kitsune prŠsentiert kitsune america vol.2, mit dabei sind amerikas neueste und hei§este talente! zum zweiten mal hat das pariser label eine eklektische auswahl an frischen neuen us-kźnstlern zusammengestellt. ein album voller guter songs und gro§er talente, die es noch zu entdecken gilt. mit elektro-pop, indie-dance und allem was dazwischen liegt, bietet kitsune america eine lebendige momentaufnahme dessen, was der underground 2013 in den usa hergibt!

house club selection 62 mit tracks von kros feat. kalex, hardwell feat. amba shepherd, vincenzo callea, dj antoine vs. mad mark und vielen mehr

both known for giving the opportunity to french emerging talents to rise, inrocks lab and because music decided to work together in order to create a necessary take off platform highlighting those artists coming from the online and live scenes. this association aims to release every year a compilation of young artists who represent the future of the french indie-electro scene : the inrocks lab compilation.

ts the culmination of what has been a roller coaster debut year: the eponymous debut album by the phenomenal vienna duo hvob is a lesson in how versatile, intelligent and creative electronic music can be.

inspiriert von englischem prog-rock und obskurem techno, kreierte das trio - basierend auf seiner affinitaet fuer hip hop-produktionen - loops, die sich zu erhabenen arrangements entwickeln. das ergebnis ist ein einzigartiges werk zwischen dark-electronica und post-dubstep, das sich mit den momenten zwischen den momenten befasst und sie auf epische, kaleidoskopische hoehen hebt, und das in seiner eigenen raumzeit existiert.

if you find yourself taking for granted all the natural beauty that surrounds you, caught up in trivial occurrences that interfere with your daily happiness, letting social constructs shape your mood, then please do buy this cd, sit down, focus on what is right there in your hands, turn to your loved one, breathe deeply, enjoy the light in the room, savor your food perhaps, and simply appreciate all that is happening in this particular moment levitate in awe as you enter the land of light, a new work by jonny nash and kyle martin

mit flora erscheint auf gomma das debuetalbum des portugiesischen neo pop-produzenten luis clara gomes aka moullinex.

limited nice price action !!! excellent tiefschwarz dj mix !!

fusing latin american sounds with european electronic beats can often produce a bland and rudderless dross destined for derivative lounge compilations and deliriously dull playlists at pretentious after work cocktail bars. not so with the aptly named 1st trip, the superb sophomore effort from the equally aptly named los transatlanticos.

hed kandi starts up with their new ibiza 2012 issue! 3 cd compilation incl. the massive no. 1 hits: calvin harris remix of florence and the machine, spectrum - say my name, plus avicii, alesso, fedde le grand, nicky romero, jamie jones, hot chip and many more

since first bursting onto the scene with the now classic album wide angle in 1999 hybrid have been known as one of the most forward thinking and technically skilled acts in electronic dance music. after four extremely well received albums, over twenty singles, countless remixes and a raft of movie & game soundtrack work it is time to reflect on some of the bands numerous highpoints. hybrid classics celebrates and relives some of the bands finest tracks from their breakthrough classic finished symphony to an exclusive cover of depeche modes enjoy the silence (as chosen by an ask-hybrid-to-cover-this fan poll in 2011).

rome s egisto sopor has been making waves with his releases for quite a while now: he put out a cdr album on legowelt s strange life records and a cassette on the much admired 100% silk label, both under the name polysick. as theawayteam he released the dvd relax & sleep and cd star kinship on japanese label maomoo. he is also one half of the low-key video unit aavv, whose work has graced many of the important releases of the new lo-fi electronic movement. digital native is his first album properÑfifteen tracks of glowing, nocturnal, analog grace that recall the days of acid house and early techno, but with a mood and intent designed for watching images dance on closed eyelids. it s no surprise that his work as a video artist resonates so strongly with the music he makes. polysick has tapped straight into the synthetic pleasures of early dance musics otherworldly pulses: the hypnotic arpeggios of italo disco, soaring detroit chords, cosmic disco, the -fourth world music- of jon hassell and the library exotics of piero umiliani. this is body music for the resting body. imagine the nexus of early acid house and italo music used for mental therapy, exotic traveling and imaginingÑexciting the brain waves and journeying into imagined spaces.

the album third encounter showcases the 20 past years of klas lindblad as a musician, dj and sound engineer, one whos seen most of the modern musical styles evolve and dissolve. always relying on the basic principles of electronic dance music that less is more, lindblad brings another fine full-lengt artist album out, surely to be considered his finest work til today.

slammin dubstep by krafty kuts

mere is a new project that began as a soundtrack and continues as an experimental, dark-ambient jazz group. guitar, drums and bass clarinet provide an intense and improvised journey into the abyss. the trio first came together to work on a soundtrack for a dutch tv documentary called visserman. having known each other for some time this was the first time they had combined together to write music and the name mere comes from the dutch word for more. each member adds a different influence to the sound, the modal finger picked guitar playing of thomas adds a sense of movement while gareth takes both folk and free jazz ideas to play against leos free rock influenced drum work. the tracks were recorded all in single takes with just a quick discussion of outline and tuning as a basic guide. gareth davis records on important, miasmah, sonic pieces, dekorder, home normal etc. collaborating with machinefabriek, steven r. smith, scanner, frances marie uitti, ryan teague, elliott sharp, ian hawgood and the like. leo fabriek releases on digitalis, home normal etc. and is also the drummer with the noise rock band julie mittens.

born from a common will to showcase the maturity and versatility of his producer skills, im:ltd has taken the ambitious challenge to give to the extremely talented arp xp the opportunity to release his first ever solo album effort closer. gathering influences from over ten years spent in the electronic music scene, what were presenting is an accomplished twelve-track album with the finesse youd come to expect from the sardinian sun and bass resident and some more intriguing touches you might not. from the eerie dystopia of title track closer featuring the mournful vocals of estel luz, its clear that none of this release is concerned with brightening wintery nights. each track has a vein of inky blackness running through it, and whether its the clicking, mechanical metronome of standout single something wrong, the serpentine bass of sickness of time or the somewhat middle-eastern-infused bassy stomp of maybe tomorrow with that juddering electro clap, the first half of closer is deeper and darker than the baltic. even with tracks as forcefully dank and derelict as papercuts there are washes of tunes like uneasy, stunnas re-work of closer and the particularly exquisite. upon waves to counterpoint the gloom, showing some break in the clouds. you cant stamp the sunshine out of a mediterranean heart. trademark rolling reeses and distant euphoric pads belie,closers cynical sound gives away arp xps true intention,to simply make the best bass music album he can.

minimalized is the highly anticipated debut album from tokyos heavy1, and with its release, he pushes the boundaries of electronic music, and further cements his position as one of the most exciting new artists on the worldwide scene. this standout producer has masterfully composed 11 tracks spanning from hard hitting drum n bass, to musical dubstep, to the albums title track, which is a nod to the analog synthesizers and hardware drum machines of a bygone era. throughout minimalized, heavy1s clinical and precise production is always balanced with intriguing synthesis, lush and emotive songwriting, and punishing percussion and bass. tracks like ongaku or judge with june miller show a more aggressive take on music, and tracks like deep train and light upon my road are more musical and feature stunning original vocals from key mc and iriann joyce, respectively. this body of work truly appeals to anyone with a taste for subtlety, without sacrificing impact. dj support includes loxy, dj marky, makoto, zero t, dj flight, and icicle.

what is this? we actually dont know but it is new and wonderful! as one of the most successful artists in contemporary techno music hendrik weber aka pantha du prince presents his new studio project together with workshops stephan abry: ursprung. after several studio sessions in the cold and charming winter of the swiss alps, abry and weber were driven deeper and deeper into some microcosm of sound to almost cut the edge to the myth. influenced by krautrock, the ambient music of harold budd and early brian eno, avantgarde, and the minimalistic guitar sound of durutti collumn the ursprung project cant resist to make the guitar a main source. coming together with highly futuristic sounds as we know from the researches of pantha du prince. a truly unconventional structure of slowly growing beats hold this universe which came from the cold mountains together. it is not the first time the protagonists behind ursprung worked together. they met some ten years ago in hamburg as the photographer and musician stephan abry worked on his workshop project together with the artist kai althoff. hendrik weber was involved in the band stella and both released on hamburgs legendary ladomat 2000 label. a frequent conversation, exchange of music and some sessions made them work on pantha du prince works. mostly recorded in that white out background of the alps it was clear from the beginning- a unique project will come one day. now ursprung is here and lets us forget time and memory. stephan abry and hendrik weber wonder what is this? we actually dont know at all but it is new and wonderful!

adam gibbons (lack of afro) has amassed an extensive and varied body of work. from his own recordings, featuring his multi instrumental skills, to producing, dj-ing and of course, remixing tracks by a huge range of different artists.

dj w!ld is the french music maestro infamous for his dc10 residency and tireless work ethic. after his debut album last year, he now releases the superb d!rty on radio slaves cabin fever imprint.dj w!lds second album is a heady concoction of late night jacking cuts, interspersed with a clever use of sampling Ð infused with hip-hop attitude and vintage house. dirty is true of its namesake, a sensual journey that explores the primal instincts finely balancing male and female vocals with sonic vignettes and storming house numbers. it works as a perfect journey through w!lds sonic landscape of underground paris and beyond. dirty evokes the esteemed house sounds of dj sneak, chez damier, kerri chandler and hector moralez whilst pushing this sound further through his unique european experience and interpretation. dj w!lds album fit perfectsly on cabin fever with its famed reputation for upfront cutting edge house with a nod to the past. a perfect album for summer fun

die beiden de la soul rapper (plug 1/pos & plug 2/dave) prŠsentieren ihr projekt >first serve<, bei dem sie sich mit dem franzšsischen produzententeam 2 & 4 (aka chokolate & khalid) zusammengetan haben. das konzeptalbum erzŠhlt die geschichte ihrer alter egos deen whitter und jacob pop life barrow, zwei freunde aus queens/ny mit gro§en trŠumen und noch grš§eren skills. first serve spiegelt hip hop sound wieder, der gleichzeitig den euphorischen old school-, funkund disco-vibe der spŠten 1970er atmet und an den innovativen sound der new school aera erinnert.

ernstalbrecht stiebler is the first german composer that based his compositions on minimal techniques. this record is the first part of an edition of his works on the label m=minimal. stiebler, whose first reductionist work extension i was first performed in 1963 clearly showed an opposite position to the serial composers of that time. as a composer stiebler is unfortunately still very unknown, but he has a great reputation as a producer for the german radio

its a great honour for us to be able to present conrad schnitzlers last work. endtime will be released as dlp, cd and download. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

when grammy award winning producer lil louie vega signed me to his renown imprint vega records he assumed the position of executive producer for invocation. with this cam five more masterpieces to include to the already twenty tracks i had created while in belgium and africa. under the guise of louie i was able to fly to the the us and work with some artist that i really looked up to.the album was a succession of blessings after blessings. i received the support from devoted singers, songwriters, musicians, and friends who truly believed in the project and helped me with their contributions. invocation has been a long time coming but i couldnt have asked for a better time. i feel that all the stars are aligned and for the first time people are really going to experience boddhi satva in his truest form